The Shadow of Aquarius

There's a fascinating (although annoyingly advertisement-heavy) interview by Aris Roussinos with the Cornish hotelier and QAnon advocate John Mappin below:

Mappin, a character I had never previously heard of, is one of a plethora of charismatic individuals from both right and left that seem to be constellating around a genuinely novel and perplexing worldview that not only refutes established political conventions, but also the consensus of what constitutes reality. Other figures either embedded, or being drawn into, this field include the likes of James Delingpole, Jordan Peterson, Piers Corbyn, Russell Brand, Glenn Greenwald and Joe Rogan. Perhaps the two great fathers of this tendency (I hesitate to use the word "movement") are David Icke and Julian Assange, while both Donald Trump and Nigel Farage are the nearest it comes to having a political wing.

The most striking aspect of the interview from my perspective is Mappin's allusions to spiritual forces guiding his work. This tends to confirm my suspicion that we are witnessing the early stages of the breakdown of the materialist-rationalist-atheist model of reality that has guided politics for at least the last century, and it is fringe figures like Mappin who are leading the attack. One of the reasons the "radical" left are struggling so much nowadays is that their claim to be the ultimate refutation of the status quo is undermined by the fact that they are fully immersed in the current, but fragile, materialist consensus reality. This makes them particularly incapable of processing the weirdening that the collective Western worldview is currently experiencing, their only recourse being to plunge into ever more fanatical and abstract forms of identitarianism.

So what's going on? I've been meaning to explain this for a while, but alas I am very busy these days, and have not been able to devote the time to this blog that I had hoped. The short form, however, is that a 2000 year old pattern defined by the twin forces of hierarchy and universalism is coming to an end, and we are entering an Aquarian realm defined by individualism, eccentricity and synchronicity. That is to say that figures like Mappin, and the worldviews they espouse, are likely to become the norm, and that politics will become less about contested values and more about incompatible realities. This ultimately means that politics as we have known it, in which there are at least some shared assumptions that we all accept as a basis for contest and debate, will become impossible, with the result that it becomes increasingly ad hoc and geographically limited.

The Rock'n'Roll Years

The Rock'n'Roll Years was one of the most curious television programmes of the mid-1980's. Each half-hour episode was a mix of news footage and pop music from each individual year of the post-war era. The only "commentary" was the occasional subtitle to give context to a particular event, these being as mordantly non-committal as possible. The episodes were all shown at prime time on BBC 1, and no doubt constituted pretty cheap television as the BBC could compile the greater portion of them from their own archives. Despite this apparently unpromising formula, it was surprisingly compelling viewing, and still is so even on the scraped-from-videotape remains that have been loaded onto Youtube. The first series was aired in 1985 and started, naturally enough, in 1956:

The unspoken premise of the programme was that the Rock'n'Roll years were effectively over, and this is certainly how I interpreted it at the time - the era of tumultuous social change was over, and hey, this is what it was like. The comparatively pedestrian first series wound up at 1963, and it was in the second series, aired in 1986, where the meaty period of 1964 to 1971 was covered. The episode for 1968 is particularly exciting, as I'm sure you can imagine:

The funny thing is, this footage looked as ancient in 1985 as it does now. Perhaps more so. For me at the time, the clip of the Rolling Stones performing "Jumpin' Jack Flash" was akin to watching footage of the D-Day landings. The sense of the past being irretrievable was much stronger in those days, before the pick'n'mix technologies of the digital era permitted it to haunt us. The years 1972 to 1980 were covered in the third series, which was aired in 1987, and 1977 starts off on exactly the right note:

This still felt old, old, old at the time though. It's impossible to express in hindsight how different 1987 felt to 1977, and watching this episode was like looking at the polaroid photographs of a party in the cold light of morning. This sense of disconnect was no doubt accentuated by the callowness of youth, as a decade feels like an eternity when you are still in your teens. One thing that comes across is how much more intense this period was than nowadays. For all the contemporary hysteria about populism and wokeism, I still think we live in a much calmer world. Perhaps it's the ghettoising effect of social media, where the different tribes of political obsessives can engage in endless symbolic battle outside the purview of the average person. At the Twitter coalface a person can feel that they are in a war for the future of civilisation, while offline the world plods on regardless. A fourth and final series of The Rock'n'Roll Years was aired much later in 1994, this covering 1981 to 1989:

This didn't make much sense at the time as almost nothing musically world-shaking happened during the mid to late eighties, and I don't think I even bothered to watch this series. That said, the big events had continued to occur, such as the miners' strike, Chernobyl, and the fall of the Berlin Wall; and there was the final tying of the post-war knot with the end of the Cold war. Also at this time Live Aid was very much a part of the official narrative of popular music; of Rock'n'Roll finally growing up and accepting its responsibilities. In hindsight, Live Aid was the release that signalled that the pressure was off, that history was already coming to an end, despite the tragic events that had prompted it.

That there was no fifth series of The Rock'n'Roll Years merely confirmed this.